The Washington Ballet awakens with a lavish, triumphant ‘Sleeping Beauty’
Barkman, a Philadelphia native who joined the company last fall, is a jewel of a ballerina, with her pure, effortless technique and easy charm. It’s said that when the great British ballerina Margot Fonteyn danced Aurora in New York in 1949, leading the modest yet spunky precursor to the Royal Ballet, she solidified the entire reputation of English ballet with her miraculous balances. Without drawing a direct comparison to that moment and that legend, let’s just say that Barkman is similarly dark-eyed and petite, with a clean, classical line to her body. But most of all it is her ebullient warmth, buoyed by fluid skill and an utter absence of affectation, that brings greatness to mind.