Katherine Barkman is an American ballerina with The Washington Ballet and an international guest principal dancer.
On her first major production with the company – The Sleeping Beauty — in which she debuted as the eponymous lead at the Kennedy Center in 2019, the Pulitzer Prize-winning dance critic and author, Sarah Kaufman, wrote in the Washington Post:
“Barkman… is a jewel of a ballerina, with her pure, effortless technique and easy charm. It’s said that when the great British ballerina Margot Fonteyn danced Aurora in New York in 1949, leading the modest yet spunky precursor to the Royal Ballet, she solidified the entire reputation of English ballet with her miraculous balances. Without drawing a direct comparison to that moment and that legend, let’s just say that Barkman is similarly dark-eyed and petite, with a clean, classical line to her body. But most of all it is her ebullient warmth, buoyed by fluid skill and an utter absence of affectation, that brings greatness to mind.”
Regarded as one of the rising stars and role models of her generation, Katherine Barkman has been widely praised for her impeccable technique, effortless buoyancy, remarkable balances, and the creative passion which she munificently infuses into every role she portrays onstage.
She is frequently described as a “thinking ballerina” because of her natural curiosity and thoughtful attention to details. She examines her characters deeply and finds ways to connect with them from a different perspective, enabling her to offer a fresh take on her ballet characters – including those that have been performed for centuries.
While equally adept in both classical and contemporary choreographies, Katherine aspires to retain the timeless elegance and artistry of ballet, to uphold the legacy of knowledge that has been passed down by her own mentors, and to help younger dancers cultivate a mindset dedicated to growth and resilience.
An exceptional ballerina with an extraordinary story.
Soon after completing her ballet training in the US, Katherine made the pivotal decision to move to the Philippines in 2015 and begin her professional career as a principal dancer with Ballet Manila, one of the most eminent classical ballet companies in Asia. At 18, she was the youngest artist to assume this position with the company.
She joined The Washington Ballet in 2018, soon after winning consecutive Silver Medals from two of the world’s most prestigious ballet Olympiads — the XI USA International Ballet Competition in Jackson, Mississippi, and the XXVIII Varna International Ballet Competition in Bulgaria.
As a professional ballerina, Katherine has debuted in the classical roles of Odette/ Odile in Swan Lake, Kitri in Don Quixote, Giselle in Giselle, Aurora in The Sleeping Beauty, Juliet in Romeo and Juliet, Nikiya in La Bayadere, Medora in Le Corsaire, Swanilda in Coppelia, as well as the Sugar Plum Fairy and the Snow Queen in The Nutcracker.
She has also performed the principal lead in popular masterpieces such as Grand Pas Classique, The Dying Swan, Paquita, Raymonda, Esmeralda, Satanella, Balanchine’s Tarantella and Allegro Brilliante, as well as Sir Frederick Ashton’s Birthday Offering and Meditation on Thais.
While noted for her excellence as a classical ballerina, Katherine is also a versatile dancer who has performed in the world premiere of contemporary choreographies by Simon Hoy (The Distance Between), Dana Genshaft (Shadowlands), John Heginbotham (Racecar), and Annabelle Lopez Ochoa (Delusional Beauty).
Major Awards and Competitions
|2018||Silver Medal (Senior Women’s Division) Varna International Ballet Competition, Varna, Bulgaria|
|2018||Silver Medal (Senior Women’s Division) USA International Ballet Competition, Jackson, MS, USA|
|2015||Grand Prix Asian Grand Prix, Hong Kong|
|2015||Gold Medal Valentina Kozlova International Ballet Competition, NO, USA|
|2015||Gold Medal TANZOLYMP Festival, Berlin, Germany|
Additionally, owing to her sterling record both as a competitor and as a professional ballerina, Katherine was invited to sit as the youngest member of the Jury for the inaugural 2019 National Ballet Competition in Wilmington, Delaware, USA.
For her complete list of prizes and and recognitions click here.
As an international guest principal, Katherine has performed in several festivals, galas, and full-length productions in Russia, Latvia, Australia, Canada, Argentina, Paraguay, Costa Rica, Hong Kong, the Philippines, as well as in major cities across the United States.
Her updated list of guest performances.
Since 2019, Katherine has been a faculty member of The Washington School of Ballet where she teaches for the Upper Division (Levels 6-8) and the Professional Training Division.
In 2020, she was invited to join the international faculty of the online ballet teaching platform, My Sensei, where she is currently the youngest among its roster of mentors that include some of the best ballet dancers, teachers and coaches in the world.
Katherine has also been a guest faculty for intermediate and master classes for various schools in the US and overseas, and offers individualized coaching for both in-studio and online training.
Sponsorships and Endorsements
Katherine’s gift for inspiring young ballerinas and dance artists has caught the attention of premium international brands for dance and active wear, with whom she has formed an artistic alliance in support of high-quality, ethically produced ballet apparel.
She is currently a Role Model for Zarely the world’s first high-fashion activewear brand, which recently launched a new laser-cut collection named after her.
Similarly, she is a Principal Artist of Virtisse, a global designer and manufacturer of pointe shoes, combining centuries-old traditions with cutting-edge technology.